Details
Gadamer's Truth and Method
A Polyphonic Commentary|
44,99 € |
|
| Verlag: | Rowman & Littlefield Publishers |
| Format: | EPUB |
| Veröffentl.: | 28.03.2022 |
| ISBN/EAN: | 9781538167953 |
| Sprache: | englisch |
| Anzahl Seiten: | 280 |
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Beschreibungen
<p><span>Gadamer’s </span><span>Truth and Method: A Polyphonic Commentary</span><span> offers a fresh look at Gadamer’s </span><span>magnum opus</span><span>, </span><span>Truth and Method</span><span>, which was first published in German in 1960, translated into English in 1975, and is widely recognized as a ground-breaking text of philosophical hermeneutics. The volume features essays from fourteen scholars—both established and rising stars—each of which cover a portion of </span><span>Truth and Method</span><span> following the order of the text itself.</span></p>
<p></p>
<p><span>The result is a robust, historically and thematically rich polyphonic reading of the text as a whole, valuable both for scholarship and teaching.</span></p>
<p></p>
<p></p>
<p><span>The result is a robust, historically and thematically rich polyphonic reading of the text as a whole, valuable both for scholarship and teaching.</span></p>
<p></p>
<p><span>This volume features essays from fourteen scholars—both established and rising stars—each of which cover a portion of </span><span>Truth and Method</span><span> following the order of the text itself.</span></p>
<p><span>The result is a robust, historically and thematically rich polyphonic reading of the text as a whole, valuable both for scholarship and teaching</span></p>
<p><span>The result is a robust, historically and thematically rich polyphonic reading of the text as a whole, valuable both for scholarship and teaching</span></p>
<p><span>Introduction</span></p>
<p><span>The Basic Structure and Argument of</span><span> Truth and Method, Jean Grondin</span></p>
<p><span>Chapter 1 Gadamer on the Significance of the Humanist Tradition for the Human Sciences, or: Truth and Edification, </span><span>Theodore George</span></p>
<p><span>Chapter 2 Gadamer’s Astonishing Question: Engaging with Gadamer’s Critique of Kant’s Aesthetics, </span><span>Nicholas Davey</span></p>
<p><span>Chapter 3 Re-claiming Art’s Claim to Truth, </span><span>Daniel L. Tate</span></p>
<p><span>Chapter 4 Gadamer on Play as Ontological Explanation, </span><span>Jessica Frazier</span></p>
<p><span>Chapter 5 Gadamer and the Plastic Arts, </span><span>Cynthia R. Nielsen</span></p>
<p><span>Chapter 6 Schleiermacher’s Hermeneutics and Historical Meaning, </span><span>Kevin M. Vander Schel</span></p>
<p><span>Chapter 7 Phenomenology’s Essential Role in the Hermeneutic Tradition, </span><span>David Vessey</span></p>
<p><span>Chapter 8 The Historical Situation of Thought as a Hermeneutic Principle, </span><span>Carolyn Culbertson</span></p>
<p><span>Chapter 9 The Recovery of the Fundamental Hermeneutic Problem, Application and Normativity, </span><span>David Liakos</span></p>
<p><span>Chapter 10 The Finitude of Reflection, </span><span>Greg Lynch</span></p>
<p><span>Chapter 11 Language as Medium of Hermeneutic Experience, </span><span>Carlo DaVia</span></p>
<p><span>Chapter 12 Gadamer and the Concept of Language, </span><span>Gert-Jan van der Heiden</span></p>
<p><span>Chapter 13 On Language and the Universality of Hermeneutics, </span><span>James Risser</span></p>
<p><span>The Basic Structure and Argument of</span><span> Truth and Method, Jean Grondin</span></p>
<p><span>Chapter 1 Gadamer on the Significance of the Humanist Tradition for the Human Sciences, or: Truth and Edification, </span><span>Theodore George</span></p>
<p><span>Chapter 2 Gadamer’s Astonishing Question: Engaging with Gadamer’s Critique of Kant’s Aesthetics, </span><span>Nicholas Davey</span></p>
<p><span>Chapter 3 Re-claiming Art’s Claim to Truth, </span><span>Daniel L. Tate</span></p>
<p><span>Chapter 4 Gadamer on Play as Ontological Explanation, </span><span>Jessica Frazier</span></p>
<p><span>Chapter 5 Gadamer and the Plastic Arts, </span><span>Cynthia R. Nielsen</span></p>
<p><span>Chapter 6 Schleiermacher’s Hermeneutics and Historical Meaning, </span><span>Kevin M. Vander Schel</span></p>
<p><span>Chapter 7 Phenomenology’s Essential Role in the Hermeneutic Tradition, </span><span>David Vessey</span></p>
<p><span>Chapter 8 The Historical Situation of Thought as a Hermeneutic Principle, </span><span>Carolyn Culbertson</span></p>
<p><span>Chapter 9 The Recovery of the Fundamental Hermeneutic Problem, Application and Normativity, </span><span>David Liakos</span></p>
<p><span>Chapter 10 The Finitude of Reflection, </span><span>Greg Lynch</span></p>
<p><span>Chapter 11 Language as Medium of Hermeneutic Experience, </span><span>Carlo DaVia</span></p>
<p><span>Chapter 12 Gadamer and the Concept of Language, </span><span>Gert-Jan van der Heiden</span></p>
<p><span>Chapter 13 On Language and the Universality of Hermeneutics, </span><span>James Risser</span></p>
<p><span>Greg Lynch</span><span> is Associate Professor of Philosophy at North Central College in Naperville, Illinois, where he teaches courses on a range of subjects, including hermeneutics, the history of philosophy, aesthetics, existentialism, and the philosophy of mind. His research focuses on issues in hermeneutics and the philosophy of language, particularly as they arise in the work of Hans-Georg Gadamer, Donald Davidson, and the ordinary language tradition. </span></p>
<p><span>Cynthia R. Nielsen </span><span>is an Associate Professor at the University of Dallas, where she teaches courses in the areas of hermeneutics, aesthetics, the philosophy of music/art, and the history of philosophy. Her articles have appeared in journals such as Symposium: Canadian Journal of Continental Philosophy, Journal of the British Society for Phenomenology, The Polish Journal of Aesthetics, and Philosophy and Literature. She has published two books, the most recent is entitled </span><span>Interstitial Soundings:Philosophical Reflections on Improvisation, Practice, and Self-Making,</span><span> which focuses on the philosophy and phenomenology of music as well as the social and political dimensions of music-making. Her current research centers on bringing Hans-Georg Gadamer's reflections on art into conversation with the insights and practices of 20th and 21</span><span><sup>st</sup></span><span> century music and art. She currently serves as the Secretary of the North American Society for Philosophical Hermeneutics.</span></p>
<p><span>Cynthia R. Nielsen </span><span>is an Associate Professor at the University of Dallas, where she teaches courses in the areas of hermeneutics, aesthetics, the philosophy of music/art, and the history of philosophy. Her articles have appeared in journals such as Symposium: Canadian Journal of Continental Philosophy, Journal of the British Society for Phenomenology, The Polish Journal of Aesthetics, and Philosophy and Literature. She has published two books, the most recent is entitled </span><span>Interstitial Soundings:Philosophical Reflections on Improvisation, Practice, and Self-Making,</span><span> which focuses on the philosophy and phenomenology of music as well as the social and political dimensions of music-making. Her current research centers on bringing Hans-Georg Gadamer's reflections on art into conversation with the insights and practices of 20th and 21</span><span><sup>st</sup></span><span> century music and art. She currently serves as the Secretary of the North American Society for Philosophical Hermeneutics.</span></p>
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