Details
Intersectional Media
Representations of Marginalized IdentitiesMedia, Culture, and the Arts
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44,99 € |
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| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 29.07.2021 |
| ISBN/EAN: | 9781793643520 |
| Sprache: | englisch |
| Anzahl Seiten: | 156 |
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Beschreibungen
<p><span>Intersectional Media: Representations of Marginalized Identities </span><span>analyzes media depictions of a variety of intersecting identities. Through a study examining how components of identity such as race, class, ethnicity, age, ability, class, and sexuality mesh and form a unique worldview, contributors to this collection frame their understanding of media intersectionality as complex and multi-layered studies of identity. Rather than focusing on any one component of marginalized identity, this book broadens the scope of inquiry and encourages audiences to recognize the complexity of media analysis when a combination of marginalized identities is depicted. Contributors demonstrate their understanding of how different components of identity combine and create new, original components of identity, paving the way for new studies of both media and identity. Scholars of media studies, identity studies, cultural studies, minority studies, gender studies, race studies, and sociology will find this book particularly useful. </span></p>
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<p><span>This book examines media depictions of intersecting components of marginalized identity. Through a study of how combined identities demonstrate a specific worldview, the contributors to this collection frame their understanding of media intersectionality as complex and multi-layered. </span></p>
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<p><a><span>Acknowledgments</span></a></p>
<p><span>Introduction</span></p>
<p><a><span>Jane Campbell and Theresa Carilli</span></a></p>
<p><span>Chapter 1: Intersecting Dimensions of Identity in </span><span>Nonna Maria's Cantina Canadese</span></p>
<p><span>Giovanna P. Del Negro</span></p>
<p><a><span>Chapter 2: The Intersection of Race and Sexuality in Howard Cruse’s </span><span>Stuck Rubber Baby</span></a></p>
<p><span>Robert Kellerman</span></p>
<p><a><span>Chapter 3: A Work in Progress: Advancing Intersectionality In and Through Queer Television</span></a></p>
<p><span>Katrina Webber and Layla Cameron</span><a></a></p>
<p><span>Chapter 4: Race, Poverty, and Narco-capitalism on </span><span>The Wire</span><span>: A Political Economic Analysis</span></p>
<p><span>Michael Johnson, Jr.</span></p>
<p><span>Chapter 5: The Transgender Super Nanny, </span><span>Babysitter Gin</span><span>: A Postcolonial Analysis </span></p>
<p><span>Kimiko Akita</span></p>
<p><span>Chapter 6: The Intersection Between Ethnicity, Gender, and Class in the HBO series, </span><span>My BrilliantFriend</span><span>: The Cost of Defiance and Resistance</span></p>
<p><span>Theresa Carilli</span></p>
<p><span>Chapter 7: UpWord Mobility: The Intersection of Rhetorics, Hip Hop, and History in </span><span>Hamilton:</span><span> An American Musical</span></p>
<p><span>Sara Raffel and Amanda Hill</span></p>
<p><span>Chapter 8: Kim Chi at </span><span>RuPaul’s Drag Race</span><span>: Rearticulating Fatphobia, Sissyphobia, and Asianphobia in the Gay Male Community in American Context</span></p>
<p><span>Quang Ngo </span></p>
<p><span>Chapter 9: Framing the Democratic Socialists of America? National and Local Information Flows in Media Coverage of Alexandria Ocasio-Cortez</span></p>
<p><a><span>Maha Bashri</span></a></p>
<p><span>Selected References </span></p>
<p><span>About the Editors </span></p>
<p><span>About the Authors </span></p>
<p><span>Introduction</span></p>
<p><a><span>Jane Campbell and Theresa Carilli</span></a></p>
<p><span>Chapter 1: Intersecting Dimensions of Identity in </span><span>Nonna Maria's Cantina Canadese</span></p>
<p><span>Giovanna P. Del Negro</span></p>
<p><a><span>Chapter 2: The Intersection of Race and Sexuality in Howard Cruse’s </span><span>Stuck Rubber Baby</span></a></p>
<p><span>Robert Kellerman</span></p>
<p><a><span>Chapter 3: A Work in Progress: Advancing Intersectionality In and Through Queer Television</span></a></p>
<p><span>Katrina Webber and Layla Cameron</span><a></a></p>
<p><span>Chapter 4: Race, Poverty, and Narco-capitalism on </span><span>The Wire</span><span>: A Political Economic Analysis</span></p>
<p><span>Michael Johnson, Jr.</span></p>
<p><span>Chapter 5: The Transgender Super Nanny, </span><span>Babysitter Gin</span><span>: A Postcolonial Analysis </span></p>
<p><span>Kimiko Akita</span></p>
<p><span>Chapter 6: The Intersection Between Ethnicity, Gender, and Class in the HBO series, </span><span>My BrilliantFriend</span><span>: The Cost of Defiance and Resistance</span></p>
<p><span>Theresa Carilli</span></p>
<p><span>Chapter 7: UpWord Mobility: The Intersection of Rhetorics, Hip Hop, and History in </span><span>Hamilton:</span><span> An American Musical</span></p>
<p><span>Sara Raffel and Amanda Hill</span></p>
<p><span>Chapter 8: Kim Chi at </span><span>RuPaul’s Drag Race</span><span>: Rearticulating Fatphobia, Sissyphobia, and Asianphobia in the Gay Male Community in American Context</span></p>
<p><span>Quang Ngo </span></p>
<p><span>Chapter 9: Framing the Democratic Socialists of America? National and Local Information Flows in Media Coverage of Alexandria Ocasio-Cortez</span></p>
<p><a><span>Maha Bashri</span></a></p>
<p><span>Selected References </span></p>
<p><span>About the Editors </span></p>
<p><span>About the Authors </span></p>
<p><span>Jane Campbell</span><span> is professor emerita of English at Purdue University Northwest. </span></p>
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<p><span>Theresa Carilli</span><span> is professor emerita of communication and creative arts at Purdue University Northwest. </span></p>
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<p><span>Theresa Carilli</span><span> is professor emerita of communication and creative arts at Purdue University Northwest. </span></p>
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