It had taken him a long time, and it had cost him—José—much hard labor, to prepare for his aged grandmother and Pepita the tiny home outside Madrid, to which he at last brought them in great triumph one hot summer's day, when the very vine-leaves and orange-trees themselves were dusty. It had been a great undertaking for him in the first place, for he was a slow fellow—José; slow as he was dull and kind and faithful to Pepita and the grandmother. He had a body as big as an ox, and a heart as big as his body, but he was slow and dull in everything but one thing—that was his carpenter work. He was well enough at that, and more than well enough, for he had always had a fancy and a knack for it from the time when as a boy he had worked in his uncle's vineyards and tilled his fields and fed his beasts. His uncle had been counted a rich man among his neighbors, but when his sister and her husband died and left the two children, José and Pepita, penniless, and with no protector save himself and their grandmother, already an old woman, it was upon the grandmother that the burden fell, for he did nothing for them except to give them, grudgingly now and then, a few poor vegetables or a little fallen fruit. It is true that when José was old enough to labor in the fields he gave him work to do, but he paid him ill and treated him ill also, giving him poor food and harsh words, and often enough blows the poor lad did not deserve. So it came about that while he was at his work José fell into the way of planning to escape from all this, and make another home for himself and his pretty child-sister and the old woman. He knew there was only one way to do it: if he could carry his one gift where it would be of more use to him than it could possibly be in a poor small village; if he could carry it to a market where there were more people and where work was better paid for. Where the king and queen were, of course, there must be more money, and one could find more to do and live better. It was Padre Alejandro, the village priest, who had suggested this to him first. He was a kind, jovial old fellow, the padre, and had seen something of the world, too, long ago, which was perhaps why he was never very hard upon a simple sinner who went to confession, and could give a bit of unecclesiastical advice now and then. He had always been kind to José, and as Pepita had grown prettier and prettier every day, he had often spoken of her to old Jovita, and said she should be well taught and taken care of, and once even—when she had come into the house with a basket of grapes on her little head, rose-flushed with the hot day, her black hair curling in moist silken rings on her forehead—he had been betrayed into the worldly remark that such pretty young things ought to have something brighter to look forward to than hard work and scant fare, which made them old before their time, and left them nothing to look back upon. But he only said it to Jovita, and Jovita only stared a little, it never having occurred to her that there was anything much in the world but hard labor and poverty. And what difference did it make that one was pretty, except that it became more probable that some gay, lazy fellow would pretend to fall in love with one, and then after marriage leave one all the work to do and a houseful of hungry children to feed? She had seen that often enough. Had it not been so with Pepita's mother, who died at twenty-five almost an old woman, worn out with trouble and hard usage?
But afterward, when Padre Alejandro saw José, he spoke of Pepita to him also, though only as if incidentally among other things.
"She should marry some good fellow who could take care of her," he said. "If you go to Madrid it will also be better for her."
And so the end of it all was that after much slow planning and many hopes and fears, and more than one disappointment, there came a day when the uncle was thrown into a violent rage by losing his best and most patient worker, and the poor cottage stood empty, and José and Pepita and Jovita found themselves in a new world.
What a new world it seemed to them all! Through the help of Padre Alejandro and an old friend of his, José had work bringing him pay which appeared absolute wealth to him. The cottage, with its good walls and roof, its neat rooms and garden, being compared with the mere hut they had left behind, seemed a palace. For the first few days, indeed, Jovita was scarce at ease; to feel no necessity for heavy labor, to have food enough, to be so comfortable, seemed unnatural, as if it might finally bring disaster. But it was not so with Pepita. All the joy of youth, all its delights and expectations filled her heart. To be so near the great, grand city, to look forward to seeing all its splendors, to walk in its streets, to share in the amusements she had heard of—this was rapture. If she had been pretty before, she became now ten times prettier; her lovely eyes grew larger with laughter and wonder and joy; her light feet almost danced; her color was like that of a damask rose. Each day brought new innocent happiness to her. When José came home from his work at night, she sat by his side and asked him a thousand questions. Had he seen the palace—had he seen the king or the queen—what were the people doing—were the public gardens beautiful?
And then she would take the guitar, which had belonged to her gay father in his gayest days, and sit out in the little garden, among the vines and lemon-trees and oleanders, and play and sing one song after another, while José smoked and rested, and wondered at and delighted in her. It was she who had inherited all her father's gayety and spirit. José had none of them, and, being slow and simple, had always found her a wonder and a strange pleasure. She had, indeed, been the one bright thing in his life, and even her wilfulness had a charm for him. He always gave way to it and was content. Had she not even once defied the uncle when no one else would have dared to do it? holding her little head up and confronting him in such a burst of pretty rage that the old curmudgeon had been quite quelled for once in his life, and had ever afterward treated her with a kind of respect, even saying to a neighbor that "the lad was a fool, but the little devil had something in her, after all."
In all his plannings it was Pepita José had thought of first. Madrid to him was only a sort of setting for Pepita; the clean, comfortable cottage a home for Pepita; the roses and lemon blossoms she would wear in her hair; under the fine grape-vines she would sit in the evening and play on her guitar. His wages would give her comfort and buy her pretty simple dresses. And then every one would see her beauty, and when she went to mass, or with himself and Jovita to the Prado or the Paseo de la Virgen del Puerto, people would look at her and tell each other how pretty she was, and all this would end in time in a good marriage perhaps. And she would be loved by some nice fellow, and have a home of her own, and be as happy as the day was long. There was only one obstacle in the way of this excellent plan; it was only a small obstacle, but—it was Pepita herself! Singularly enough, Pepita had a fixed antipathy to marriage. She had early announced her intention of remaining unmarried, and those young men who in her native village had desired to make love to her had been treated with disapproval and disdain. Knowing as little of love as a young bird unfledged, her coldness was full of innocent cruelty. She made no effort to soften any situation. She was willing to dance and laugh and sing, but when she found herself confronting lover-like tremors and emotion, she was unsparing candor itself.
"Why should I listen to you?" she had said more than once. "I do not love you. You do not please me. When you wish to marry me, I hate you. Go away, and speak to some one else."
"I will never marry any one," she said to José. "I will stay with you and be happy. Girls who marry grow ugly and are wretched. Their husbands do not love them after they are married. They must work and slave and take care of the house and the children. Look at Tessa! Her husband used to be wild about her. She could make him pale with misery if she turned away from him; he used to follow her about everywhere. Now he makes eyes at Juanita, and beats Tessa if she complains. And don't we both remember how it was with our mother? I will never love any one, and never be married. Let them love me if they are so stupid, but I will be left alone. I care nothing for any of them."
The truth is that José knew it was what she remembered of her mother's unhappiness and what Jovita had told her, which was the foundation of all this. Did he not remember it himself, and remember, with a shudder, those first miserable years of their childhood—the great, beautiful, wretched eyes of their mother, their gay, handsome father, and his careless cruelty and frequent brutality? Had not Pepita and himself clung together hidden in the loft at night, listening to their mother's sobs, and often to the sound of blows and curses rained down upon her because she was no longer a beauty, and there were beauties who had smiles to bestow on handsome fellows who were free, and even upon those who were not? It was enough to irritate any handsome fellow—this one had thought—to come home to a squalid place after enjoyment, and be forced to face poverty and children and a haggard wife with large staring eyes, red with weeping. Yes, Pepita and José remembered all this, and upon Pepita's character it had left curious traces. Young as she was, she had awakened quite grand passions in more than one heart, and on two or three occasions the suitors had been of far better fortune than herself—one of them, indeed, being the only son of a rich farmer, who might have chosen a wife of much greater importance than this pretty, scornful child, and whose family rebelled bitterly against his folly, and at last sent him away to Seville, but not before Pepita herself had coolly trodden him under her small feet.