Details
U2 Above, Across, and Beyond
Interdisciplinary AssessmentsFor the Record: Lexington Studies in Rock and Popular Music
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48,99 € |
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| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 23.12.2014 |
| ISBN/EAN: | 9781498501309 |
| Sprache: | englisch |
| Anzahl Seiten: | 164 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<span><span>U2’s success and significance are due, in large part, to finding inventive, creative solutions for overcoming obstacles and moving past conventional boundaries. As it has embraced change and transformation over and over again, its fans and critics have come to value and expect this element of U2. These new essays from the disciplines of organizational communication, music theory, literary studies, religion, and cultural studies offer perspectives on several ways U2’s dynamic of change has been a constant theme throughout its career. These essays came from the U2 Conference 2013 exploring the music, work, and influence of U2, and to further the scholarship on U2.<br></span></span>
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<span><span>This book offers new essays from interdisciplinary perspectives on U2’s career-long dynamic of resisting conventional boundaries in order to erase barriers that inhibit growth, understanding, and progress. </span></span>
<span><span>U2 Above, Across, and Beyond: Interdisciplinary Assessments<br>Table of Contents<br><br>Acknowledgments<br><br>Introduction: U2 </span><span>TRANS-</span><span><br></span><span>Scott Calhoun</span><span><br><br>1 Collaborative Transactions: Making Sense (Again) for U2’s </span><span>Achtung Baby</span><span><br></span><span>Christopher Wales</span><span><br><br>2 Transvaluing Adam Clayton: Why the Bass Matters in U2’s Music<br></span><span>Brian F. Wright</span><span><br><br>3 Translating Genres: U2’s Embrace of Electronic Dance Music in the 1990s<br></span><span>Ed Montano</span><span> <br><br>4 A Transcendent Desire: In Defense of U2’s Irishness<br></span><span>Arlan Elizabeth Hess</span></span>
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<span><span><br>5 A Transmedia Storyworld: The Edge Is One, But Not The Same<br></span><span>Fred Johnson</span><span><br><br>6 Transgressive Theology: The Sacred and the Profane at U2's PopMart<br></span><span>Theodore Louis Trost</span><span><br><br>7 Transmitting Memories: U2’s Rituals for Creating Communal History<br></span><span>Steve Taylor</span><span><br><br>8 The Transformative Fan: The Bricolage of U2 Live<br></span><span>Matthew J. Hamilton</span><span><br><br>About the Contributors<br><br>Bibliography<br><br>Index<br></span></span>
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<span><span><br>5 A Transmedia Storyworld: The Edge Is One, But Not The Same<br></span><span>Fred Johnson</span><span><br><br>6 Transgressive Theology: The Sacred and the Profane at U2's PopMart<br></span><span>Theodore Louis Trost</span><span><br><br>7 Transmitting Memories: U2’s Rituals for Creating Communal History<br></span><span>Steve Taylor</span><span><br><br>8 The Transformative Fan: The Bricolage of U2 Live<br></span><span>Matthew J. Hamilton</span><span><br><br>About the Contributors<br><br>Bibliography<br><br>Index<br></span></span>
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<span><span>Scott Calhoun</span><span> directs the U2 Conference, is curator for the U2: Made in Dublin exhibit, and is professor of writing and literature at Cedarville University.<br></span></span>
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