Details
Views of Violence
Representing the Second World War in German and European Museums and MemorialsSpektrum: Publications of the German Studies Association, Band 19 1. Aufl.
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38,99 € |
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| Verlag: | Berghahn Books |
| Format: | |
| Veröffentl.: | 02.01.2019 |
| ISBN/EAN: | 9781789201277 |
| Sprache: | englisch |
| Anzahl Seiten: | 284 |
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Beschreibungen
<p> Twenty-first-century views of historical violence have been immeasurably influenced by cultural representations of the Second World War. Within Europe, one of the key sites for such representation has been the vast array of museums and memorials that reflect contemporary ideas of war, the roles of soldiers and civilians, and the self-perception of those who remember. This volume takes a historical perspective on museums covering the Second World War and explores how these institutions came to define political contexts and cultures of public memory in Germany, across Europe, and throughout the world.</p>
<p> List of Illustrations<br> Preface<br> List of Abbreviations</p>
<p> <a><strong>Introduction:</strong> Representing the Second World War in German and European Museums and Memorials</a><br> <em>Jörg Echternkamp and Stephan Jaeger</em></p>
<p> <strong>PART I: MUSEUMS</strong></p>
<p> <strong>Chapter 1.</strong> Multi-Voiced and Personal: Second World War Remembrance in German Museums<br> <em>Thomas Thiemeyer</em></p>
<p> <strong>Chapter 2.</strong> The Experientiality of the Second World War in Twenty-First-Century European Museums (Normandy, Ardennes, Germany)<br> <em>Stephan Jaeger</em></p>
<p> <strong>Chapter 3.</strong> Exhibiting Images of War: The Use of Historic Media in the Bundeswehr Military Museum (Dresden) and the Imperial War Museum North (Manchester)<br> <em>Jana Hawig</em></p>
<p> <strong>Chapter 4.</strong> In the Eye of the Beholder: Gaze and Distance through Photographic Collage in the Topography of Terror and the Canadian Museum for Human Rights<br> <em>Erin Johnston-Weiss</em></p>
<p> <strong>Chapter 5.</strong> The Challenging Representation of National-Socialist Perpetrators in Exhibitions: Two Examples from Austria and Germany<br> <em>Sarah Kleinmann</em></p>
<p> <strong>Chapter 6.</strong> “Warschau erhebt sich”: The 1944 Warsaw Uprising and the Nationalization of European Identity in the Berlin Republic<br> <em>Winson Chu</em></p>
<p> <strong>PART II: MEMORIALS AND MEMORIAL LANDSCAPES</strong></p>
<p> <strong>Chapter 7.</strong> A Culture of Remembrance, Memorials and Museum in the Hürtgenwald Region<br> <em>Karola Fings</em></p>
<p> <strong>Chapter 8.</strong> Contested Heroes, Contested Places: Conflicting Visions of War at Heldenplatz/Ballhausplatz in Vienna<br> <em>Peter Pirker, Magnus Koch, and Johannes Kramer</em></p>
<p> <strong>Chapter 9.</strong> Commemorating Flight and Expulsion <em>vor Ort</em>: Local Expellee Monuments in Central and Eastern Europe<br> <em>Jeffrey Luppes</em></p>
<p> <strong>Chapter 10.</strong> Local Battlefields as “Cultural Landscape” of Global Value? Views of War in Normandy and the Classification as World Heritage<br> <em>Jörg Echternkamp</em></p>
<p> <strong>Afterword:</strong> The Memory Boom and the Commemoration of the Second World War<br> <em>Jay Winter</em></p>
<p> Index</p>
<p> <a><strong>Introduction:</strong> Representing the Second World War in German and European Museums and Memorials</a><br> <em>Jörg Echternkamp and Stephan Jaeger</em></p>
<p> <strong>PART I: MUSEUMS</strong></p>
<p> <strong>Chapter 1.</strong> Multi-Voiced and Personal: Second World War Remembrance in German Museums<br> <em>Thomas Thiemeyer</em></p>
<p> <strong>Chapter 2.</strong> The Experientiality of the Second World War in Twenty-First-Century European Museums (Normandy, Ardennes, Germany)<br> <em>Stephan Jaeger</em></p>
<p> <strong>Chapter 3.</strong> Exhibiting Images of War: The Use of Historic Media in the Bundeswehr Military Museum (Dresden) and the Imperial War Museum North (Manchester)<br> <em>Jana Hawig</em></p>
<p> <strong>Chapter 4.</strong> In the Eye of the Beholder: Gaze and Distance through Photographic Collage in the Topography of Terror and the Canadian Museum for Human Rights<br> <em>Erin Johnston-Weiss</em></p>
<p> <strong>Chapter 5.</strong> The Challenging Representation of National-Socialist Perpetrators in Exhibitions: Two Examples from Austria and Germany<br> <em>Sarah Kleinmann</em></p>
<p> <strong>Chapter 6.</strong> “Warschau erhebt sich”: The 1944 Warsaw Uprising and the Nationalization of European Identity in the Berlin Republic<br> <em>Winson Chu</em></p>
<p> <strong>PART II: MEMORIALS AND MEMORIAL LANDSCAPES</strong></p>
<p> <strong>Chapter 7.</strong> A Culture of Remembrance, Memorials and Museum in the Hürtgenwald Region<br> <em>Karola Fings</em></p>
<p> <strong>Chapter 8.</strong> Contested Heroes, Contested Places: Conflicting Visions of War at Heldenplatz/Ballhausplatz in Vienna<br> <em>Peter Pirker, Magnus Koch, and Johannes Kramer</em></p>
<p> <strong>Chapter 9.</strong> Commemorating Flight and Expulsion <em>vor Ort</em>: Local Expellee Monuments in Central and Eastern Europe<br> <em>Jeffrey Luppes</em></p>
<p> <strong>Chapter 10.</strong> Local Battlefields as “Cultural Landscape” of Global Value? Views of War in Normandy and the Classification as World Heritage<br> <em>Jörg Echternkamp</em></p>
<p> <strong>Afterword:</strong> The Memory Boom and the Commemoration of the Second World War<br> <em>Jay Winter</em></p>
<p> Index</p>
<p> <strong>Stephan Jaeger</strong> is a Professor of German Studies and the Head of the Department of German and Slavic Studies at the University of Manitoba. His research covers narratives, representations and memory of war in German and European museums, literature, film, and historiography. He is co-editor of the book series <em>Museums and Narrative</em> (with De Gruyter). His books include <em>Performative Geschichtsschreibung</em> (2011) and <em>The Second World War in the Twenty-First-Century Museum: From Memory, Narrative, and Experience to Experientiality</em> (2020).</p>
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